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1936 CUBA Orchestra Signed 2 ANACAONA Cuban Women Group

Manufacturer: N/A
SKU: 1466
Price: $200.00
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 ANACAONA ORCHESTRA 

Original Authentic 1936 8X10 Photograph del estudio fotografico HOLLYWOOD de

Signed 

Mexico 5/12/1936



Dedicated to the all Women's CUBAN orchestra ANACAONA....Signed by Julio Martinez, Enrique Martinez Araujo, Alejandro Fernandez, Enrique O'Farrill, Fornes Ponce Reyes, H. Gutierrez en el distrito federal de la ciudad de Mexico durante la visita de Anacaona en Mayo 12 del 1936.

On February 19, 1932, the first women`s septet performing "Cuban son" was presented at the Payret Theater in Havana under the name of Anacaona inspired in the history of a Dominican native woman who became a symbol and encouragement to seven young women who, with their musical instruments gave a new female face to the Cuban traditional son.
Around 1934, Concepción Castro Zalarriaga, together with her sisters, founded a  jazz-band format group capable of performing as both a septet and a "typical charanga" orchestra since all its members played different instruments.
In 1983, after concluding their studies at the Amadeo Roldan Conservatory in Havana, two youngsters, Georgia and Dorita (the Aguirre sisters) joined the group together with its founders until 1987 when the five Castro Zalarriaga sisters decided to retire.
Georgia and Dorita Aguirre continued performing Cuban music with eminently female characteristics: preserving and praising the story of the beautiful Anacaona.  With over 50 year uninterrupted performance, they decided to incorporate new musicians graduated from schools of music and with their same professional preferences and interests.
In February 1988, they grouped under the guidance of Georgia Aguirre and resumed their work with a renewed projection of the Cuban music, from traditional to modern, resorting to new arrangements and orchestration.
The new Anacaona orchestra was introduced on May 28, 1988 enjoying an exceptional welcome by the audience.  The young orchestra was assisted by important Cuban artists, namely, Xiomara Castro, its founder and former director, Rafael Lay, Jr., Aragon Orchestra director, Luis Carbonell and Joaquín Betancourt, inter alia, who made valuable contributions to the group.
In mid 1988, they began working, on a permanent basis, at the Papa"s cabaret in the Marina Hemingway and made several radio and television programs, a tour across the country and performances in international fairs and meetings.
In 1989 they made tours, events, radio and televisión and had an important international summer contract in México.
Early in 1990 they made national tours and presentation in the mass media thus increasing their popularity as a women"s orchestra.  Later on they traveled to Barcelona, first stop of a tour including Santander, Valencia, Madrid, Vigo and the Canary Islands.  All these cities witnessed their success and the Spanish press wrote "...a special charisma to this female face of the Cuban music".  During this tour across Spain they shared the stage with renowned artists like Cheo Feliciano, Papo Lucas and the Sonora Ponceña, Tito Puentes, the Gran Combo de Puerto Rico, Lalo Rodríguez, the Fania All Star and the Brazilian D´Javan.
Their international tours include American, European and Caribbean countries.  It is worthwhile mentioning their performances at the Jazz Festival in Jamaica, the Carnivals in the Canary Islands, concerts in Honduras, Guadeloupe, Martinique, Venezuela and Mexico.
Anacaona has maintained a sound and upward musical career and has inspired many female Cuban orchestras.
In Cuba this orchestra is considered the most popular female orchestra and one of the most important ones in Cuban popular music since Anacaona has a special way of giving the best of its members in each presentation.  A Cuban orchestra where talent and music join hands with femininity to enhance the culture of the island


Comments
ANACAONA Orchestra is a band that cultivates the folk music, mixing the traditional rhythms with the most recent ones , the thirteen women that form this group are well know as "Las Mulatisimas del Sabor", Anacaona is famous for its own typical sound, that is why it is considered the leading exponent of salsa music. In 1932 Concepcion Castro founded this Orchestra becoming the first women septet in Cuban Son, later on turned into a jazz band and brass band. Their sixth first songs were recorded for RCA Victor in 1936, since then they lead the field in Cuba's womanly bands. As it is well known the group attained its popularity at outdoors cafes, one of the most important in those moments was "Paseo del Prado Habanero" where they used to present its music, considering this the right moment to its world launching. All Anacaona's members are graduated from The National Art School, and "Amadeo Rold?n" Conservatory; due to this vocational training they own a style, so it makes the group to treasure and improve its history. When in 1983, Georgia and Dora Aguirre sisters finished their Academic Education, they joined the Orchestra managed by Alicia Zaldarriaga ( another member founder) then. Georgia and Dora's first five years in the Orchestra played a very important role in these women's life as musicians. Georgia starts managing the band and with new instrumentalists they decide to carry on with the Cuban Popular Music, defending the musical heritage of the group (more than 70 years). "C?ntalo pero B?ilalo" was Anacaona's first debut on Televisi?n, and starting from, it took part in different musical programmes like: "Sabadazo", "Contacto", "23 and M". and the top Sunday Programme "Mi Salsa; where in 1990 they won the prize "Best Small Band of the Year". Once, among the most outstanding women of our folk music like Isolina Carillo, Enriqueta Almanza, Omara Portuondo and Jaquel?n Castellanos met on the TV Programme named "Mi Salsa", the Television recorded it and it is sorted as an unforgettable moment in the Cuban Television history Anacaona's music has also been taken into consideration by the Radio and thanks to its broadcasting in all domestic radio stations this group is well listened by Cubans listeners . As part of some Youthful Campaigns such as: "Pintate de Sol", "Al Sol Voy", and the recently one "My City Dances", this group, the most ancient womanly group in the country has also involved in domestic tours, reaching even those remote places in the Island. ANACAONA ORCHESTRA shares its music in the most famous Cuba's night shows like: Parisien Cabaret (National Hotel); The Ambassador Salon and Turquino Salon both from Habana Libre Hotel; the International Cabaret in Varadero and Tropicana from Havana and Santiago de Cuba . In 1993 the band was the hostess of the International Tourism Convention and as well as many other musicians like Omara Portuondo, Celina Gonz?lez and 200 hundreds dancers opened the ceremony. The group has also given several concerts in the most important theatres in the country among them we have; Carlos Marx Theatre, America Theatre, Mella Theatre, all them in Havana , Sauto Theatre, in Matanzas and La Caridad Theatre in Santa Clara. Outstanding Cubans Musicians such as: Isaac Delgado, Caridad Cuervo, Ra?l Planas, Jos? Luis Cort?s, Pedrito Calvo, Mundito Gonz?lez, Rosita Forn?s, Ela Calvo, Jorge Varona, P?o Leyva, Omara Portuondo, Xiomara Laugart, Nuviolas sisters, Manolito Simonet and Polo Monta??s, have been accompany by this prestigios Orchestra. The Band has shared its music with other prestigios bands like Chucho Vald?s and Irakere, Juan Formell and Los Van Van, NG La Banda, La Charanga Habanera, Isaac Delgado and its Orchrestra, Manolito and its Trabuco, Original de Manzanillo and C?ndido Fabr? Orchestras. ANACAONA has participated in many festivals like: Students and Youth International Festival, "Benny Mor? "International Festival, "Enrique Jorr?n" Festival, and Latin American Film Festival and in the youth one "May Pilgrimages". As a result of its serious and deep work , the Orchestra was worthy of the "Outstanding" privilege granted by Juan Marinello Cultural Group in 1992 and 1993. Since 1999 ANACAONA ORCHESTRA has an own Club at Caf? Cantante "Mi Habana"at the National Theatre and also has performed at EGREM Music Houses, as well as in schools, collages, hospitals and community centres. The Orchestra recordings started in 1936 when here in Havana, RCA Victor an American record company recorded its fist sixth songs. In 1973 the Cuban Record Company EGREM, recorded fifteen of ANACAONA ORCHESTRA's songs, those recordings were in jazz band, brass band, septet and quartet formats. "Anacaona ?Ay?", was the first Orchestra's CD after some changes, edited in 1991 for PM Records, this CD was on charge of Juan Formell a very famous Cuban musician, and three years later, in 1994, Jose Luis Cort?s hold the responsibility and produced a new one for BIS Music, named "One Hundred Beautiful Cubans Women". "Como un Milagro", ("Like a Miracle") a CD also edited by the same record company was produced by Pucho L?pez an important Cuban musician (pianist, arranger and composer) while in 1999 Joaqu?n Betancourt and LUSAFRICA Record Company were in charge of a new CD named "Lo que t? esperabas"("What you expected for"). The Cuban Cinema: also has joined the Orchestra in feature films like: The Beauty of the Alhambra, Parallel Lives, and Black Neighbourhood where they play different songs. In 2002 ANACAONA celebrated its 70 anniversary given concerts through all country, also the Cuban Cinema filmed a documentary based on the Orchestra's work, the name of this documentary is "70 Years Later". Since July 1989 the most antique Cuban womanly group started a very important career in International Grounds, it has gathered loads of successes in America, Europe, Africa and China. ANACAONA, the Cuban Womanly Orchestra gets into this third millennium with new national and international expectations and successes. ANACAONA honours its name and tradition . Long live to ANACAONA ORCHESTRA.

"PARA UNA ORQUESTA DE MUJERES, LA VIDA Y, EN GENERAL TODO, ES MÁS COMPLICADO", GIORGIA AGUIRRE GONZÁLEZ, DIRECTORA MUSICAL DE LA ORQUESTA FEMENIL ANACAONA.

Después de haber formado parte de los encuentros musicales en escenarios al aire libre en Coatzacoalcos, Xalapa y Orizaba, la Orquesta Femenil Anacaona, integrada por doce bellas mujeres, cerraron con broche de oro su participación en el 9no. Festival Internacional Afrocaribeño-Veracruz 2002, en el Foro Monumental del Puerto de Veracruz dentro del Programa "El son entero" y a ritmo de "si yo puedo, ustedes también" (esto aluciendo a que una de las integrantes está embarazada y ¡baila que da miedo!) dieron inicio su candente presentación.

Orquesta AnacaonaEsta Orquesta nace en 1932 y su fundadora Concepción Castro, forma así el primer sexteto femenino cubano bajo el nombre Anacaona, Giorgia Aguirre González, (Directora Musical) al respecto de este nombre tan particular comentó: "Anacaona es el nombre de la reina indígena de Quisquella, fue la primera mujer en sublevarse contra los colonizadores, le pusieron este nombre a la Orquesta porque el año 32 también era un símbolo de rebeldía, ya que el son y la mujer eran muy discriminados".

AmericaSalsa: ¿cómo es que se da esta segunda generación de la Orquesta Femenil Anacaona?

Orquesta AnacaonaGiorgia Aguirre González, (Directora Musical): "Esta Orquesta nunca murió, siempre se mantuvo ininterrumpidamente y nosotras tuvimos la suerte de que en el año 83, mi hermana (saxofonista y cantante) y yo comenzamos con la Orquesta, luego se incorporó Margarita Suárez y así poquito a poco fuimos trabajando con la fundadora durante cinco años hasta que ellas decidieron jubilarse, ya eran una señoras muy mayores y bueno, desde el año 88, por elección, me tocó asumir la dirección de la Orquesta y he tratado de integrar a un grupo de muchachas que le gusta la música cubana, desde la más tradicional hasta la más actual, con el interés de poder manejar todos los ritmos y las diferentes variantes de nuestro género musical".

AmericaSalsa: Es bien sabido que formar una Orquesta y mantenerla tanto tiempo no es fácil, más aún no lo es cuando todas sus integrantes son mujeres ¿cómo hacen para manejar esto?.

Orquesta Anacaona"Por supuesto, para una orquesta de mujeres, la vida y, en general todo, es más complicado, la música hay que estudiarla y también hay que trabajar mucho, sobretodo de noche y la mayoría de las muchachas somos madres, cosa ¡qué imagínate! hemos tenido la suerte de contar con el apoyo de toda nuestra familia, nuestros esposos, padres, madres sobretodo, hasta las suegras que tienen tan mala fama, todas nos han ayudado bastante para poder enfrentar este trabajo y sobretodo que a veces hemos tenido que enfrentar el machismo, a veces hemos sufrido las consecuencias de un esposo celoso que le ha dicho a una compañera "no puedes seguir en el grupo", pero también han pasado cosas como la maternidad, siempre que se sienta bien y que no corra ningún riesgo, nosotras la aceptamos, porque la maternidad es lo más bello que puede tener mujer", señaló Giorgia Aguirre González, (Directora Musical).

La primera producción de la Orquesa Femenil Anacaona fue con Juan Formell, bajo el nombre "Somos Anacaona", la segunda, "Como un milagro", bajo la producción de Jucho López, la tercera, "Cien lindas cubanas", producido por José Luis Cortes, el cual es una compilación de agrupaciones femeninas de Cuba y la cuarta, "Lo que tú esperabas", la cual cuenta con el sello disquero Lusáfrica y la producción de Joaquín Betancourt, el productor que ganó el último Grammy en Cuba. Por el momento, siguen aún preparando su nuevo disco.

La Orquesta Femenil Anacaona ha estado en México en varias ocasiones, en 1989 y 1998 se presentaron en el Distrito Federal, en este último año, participaron en una obra teatral donde la Orquesta hacía música en vivo; en el 2000 formaron parte de las agrupaciones presentes en el Carnaval de Campeche, donde alternaron con Celia Cruz.

Al referirse a su participación en el 9no. Festival Internacional Afrocaribeño-Veracruz 2002, Giorgia Aguirre González, (Directora Musical), casi afónica por el cambio de temperatura, pero deseosa de compartir con nosotros unas cuantas palabras, apuntó: "estamos muy contentas, hemos visto que el pueblo de Veracruz realmente adora música cubana, adora nuestros ritmos, que son también de ustedes, porque creo que ustedes los han hecho suyos con todo ese amor, el estudio que han cometido de nuestros ritmos ¡me encanta!, porque incluso para nosotros los cubanos, es muy impresionante que fuera de nuestro país veamos ver bailar el son cubano y todo de esa manera, que ya apenas en Cuba se hace porque la gente ha ido evolucionado, la música cubana también y, evidentemente, se ha ido cambiando con los movimientos musicales nuevos".


Anacaona


Women making music is quite normal in Cuba. Havana has 19 all-female salsa orquestas. Anacaona is the oldest of them,  founded in 1932 by the sisters Castro. For their band they chose the name of a beautiful Indian queen, who in her time led an uprising against the Spanish.


Anacaona... the everlasting talent and sweetness

The original members of Anacaona have more than enough reasons to be proud on their successors. How lucky are those Castro sisters who, 65 years after being united under the native name of Anacaona, first as a septeto and later on as a jazz band, have heiresses who continue keeping up Cuban music and feminine presence in the worldwide scene!

Anacaona nowadays continues being the feminine orchestra standard of Cuba because, according to Georgia Aguirre, their beautiful and talented director, the demands to appear in this group are quite rigorous:

"The first demand to enter Anacaona is to have talent, although it seems not so  modest to say so. Also the women must have finished a musical study and they must have much human sensitivity, which is just as important as the musical aspect. A good image is equally essential in our work. We try to look attractive, to emphasize our being feminine, whereas both physical and spiritual beauty should go together. Nowadays for an artist it is not enough to dominate on the instruments. In addition one must know how to express oneself orally and with gestures, to know languages, to develop in the scene and outside the scene."

In the year of its 65th anniversary, Anacaona has experienced changes which enlargen their interpretative power and the quality of their sound. "We entered a stage of greater maturity and therefore we needed to feed ourselves with innovating ideas, to add a drumset to the traditional set-up, to incorporate themes of the old repertoire, from the golden time of the 50's and the 60's, to the classic ones. We have planned to enrichen our show with various forms: quartet, vocal quintet, to make jazz..."

The last CD of Anacaona carries its title as a premonition. Recorded with Bis Music, "Como un milagro" ("As a miracle") had the power to open doors for them in several European countries which soon afterwards would appreciate live that the record was only a pale advance payment of what the orchestra really is. Now the spicy girls want to prepare another cd "that will be historical because it will give us the possibility of showing everything that we know and that we can do". The original Anacaona has enough reasons to feel proud of the fruits rendered by the seed that they made germinate 65 years ago.

 

Images copied from eBay: bf0b_1_1136_2.JPG

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